What is the Calgary Orff Chapter?
The Calgary Orff Chapter is a chapter of Carl Orff Canada and is dedicated to providing high quality professional development opportunities for music teachers. Through our workshops and courses we aim to help improve the quality of music education in both Calgary and the surrounding areas.
Register Now!
As always, full time undergrad students can come for free!
More information available on our Workshop Registration page.
More information available on our Workshop Registration page.
Registration Form |
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Next Workshop: |
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What's Grown and Known in the Xylophone Zone
Presented by Deborah A. Zehler (Imiolo) Saturday, January 18, 2020 Morning Mixers will start the day. We'll sing and dance and laugh and play. On to bars of metal and wood. lots of playing, (since everyone should). Perhaps a story, recorders, and more, Dance and move across the floor. Process, process is the key. We'll all have fun, just come and see! For more information, please see Chapter Workshops. |
Looking for More?
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The 26th National Conference for Carl Orff Canada is held in Edmonton from April 16- 19, 2020. There will be many sessions focusing on Orff pedagogical approach, movement, recorder, choral, world musics, Indigenous musics, French sessions, and more! Early bird registration is now on! For more information, please visit:
www.orffvision2020.ca |
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Carl Orff Canada’s new Mentorship Program* offers additional support to educators who have engaged in Orff training, and assists them in linking the pedagogy of the Orff process with the realities of individual teaching situations. Educators experienced in the Orff process will partner with a teacher who is new to the Orff process to co-create an individualized mentorship program, meeting the mentee’s needs in developing their practice, deepening their understanding of Orff pedagogy, refining their artistic intentions and developing their teaching style and profile. Direct and consistent communication will occur between mentor and mentee, using a wide variety of platforms (including online and face-to-face).
If this sounds like something that you’ve been looking for, please go to the COC website, Members Only, P & P, Section R for more information, including an application form, or contact Liz Kristjanson, Mentorship Committee, Chair at past-president@orffcanada.ca. *The new Mentorship Program is not to be confused with the Levels Course Instructor Internship Program, formerly known as the Mentorship Program. |
What is Orff Schulwerk?
Orff Schulwerk, an approach to music education developed by Carl Orff, is experiential and holistic and is for all types of learners, aural, visual and kinesthetic. In Orff Schulwerk, children learn in an active way, where imitation and exploration lead to improvisation and music literacy. Speech, song, movement and instruments are the vehicles used to teach rhythm, melody, form, harmony and timbre. Carl Orff defined the ideal music for children as “never music alone, but music connected with movement, dance, and speech – not to be [merely] listened to, meaningful only in active participation.”
Orff Schulwek is built on the idea that a child must be able to feel and make rhythms and melodies before being called on to read and write music. Orff believed that a child internalized and developed ownership of a concept by experiencing the concept before it is put into words. “Experience first, intellectualize second.” In the same way that a child learns to speak before learning to read and write, he or she must have a musical language in which to feel at home before technical knowledge is introduced.
Through pitched and non-pitched percussion instruments, movement, games, singing, and rhythmic exploration, the child learns of his own innate musical talents in a way that is immediately successful and rewarding.
Orff Schulwek is built on the idea that a child must be able to feel and make rhythms and melodies before being called on to read and write music. Orff believed that a child internalized and developed ownership of a concept by experiencing the concept before it is put into words. “Experience first, intellectualize second.” In the same way that a child learns to speak before learning to read and write, he or she must have a musical language in which to feel at home before technical knowledge is introduced.
Through pitched and non-pitched percussion instruments, movement, games, singing, and rhythmic exploration, the child learns of his own innate musical talents in a way that is immediately successful and rewarding.
